Reviews
“Triptych” - Tarik O’Regan (Boston Cecilia, Boston, MA)
“Madison Spahn delivered her second-movement solos with golden tone, effortlessly floating them over the choir. And the finale provided an intense, cathartic release.”
- Jonathan Blumhofer, Boston Classical Review, 3/25/19
“Missa Brevis” - Zoltan Kodaly (Boston Cecilia, Boston, MA)
“Singers Carly Dove, Madison Spahn, and Elisabeth Swanson, situated on the left aisle of the sanctuary, complemented the full choir with gleaming phrases in the closing Dona nobis pacem, Kodály’s call for peace.”
- Aaron Keebaugh, Boston Classical Review, 10/21/19
“French Impressions” (Key Chorale, Sarasota, FL)
“Madison Spahn delivered a surprisingly sultry “C’est l’extase langoureuse” (It is the languorous ecstasy). Debussy had a way with sensuality and not-so-hidden innuendo, and Spahn had the capacity to go there. Caulkins would be smart to feature her more in the future.”
- Gayle Williams, Sarasota Herald-Tribune, 3/12/18
